Dorian Wood seeks to glorify both the sanctity and irreverence of intimacy. Through the use of their corpulent body and booming voice, Wood revels in challenging the artist-audience separation, using subject matter informed by their own perspective as a non-binary brown person and an autodidact. Their work has been showcased in concert halls and performance spaces around the world, including at institutions like The Broad (Los Angeles), REDCAT (Los Angeles), Museo Nacional Del Prado (Madrid), the City Hall of Madrid and Teatro de la Ciudad Esperanza Iris (Mexico City). From 2019 to 2020, Wood completed several successful tours throughout Europe, Mexico and the U.S. with their chamber orchestra tribute to Chavela Vargas, XAVELA LUX AETERNA. Wood is a recipient of the Creative Capital Award (2020) and the Art Matters Foundation grant (2020), and a past artist-in-residence at Building Bridges Art Exchange, Santa Monica, California (2020), Etopia, Centro de Arte y Tecnologia, under the FUGA program, Zaragoza, Spain (2019) and MASS Gallery, Austin, Texas (2017). Wood has released over a dozen recordings, among them the albums BOLKA (Independent, 2007); Brutus (Independent, 2010); Rattle Rattle (Atonal Industries, 2013); Down, The Dirty Roof (Atonal Industries, 2013), XALÁ (Atonal Industries, 2017), ARDOR (Independent, 2020) and REACTOR (Independent, 2020).
Dorian Wood busca glorificar tanto la santidad como la irreverencia de la intimidad. Mediante el uso de su cuerpo corpulento y su voz, Wood se deleita en desafiar la separación de artista-audiencia, utilizando temas informados por su propia perspectiva como una persona de color no binaria y un autodidacta. Su trabajo se ha exhibido en salas de conciertos y espacios de actuación en todo el mundo, incluidas instituciones como The Broad, REDCAT, el Museo Nacional del Prado, el Ayuntamiento de Madrid y el Teatro de la Ciudad Esperanza Iris en la Ciudad de México. De 2019 a 2020, Wood completó varias giras exitosas por Europa, México y los Estados Unidos con su homenaje de orquesta de cámara a Chavela Vargas, XAVELA LUX AETERNA. Wood ha sido beneficiarie del premio de Creative Capital (2020) y de una subvención de Art Matters Foundation (2020), y también ha sido residente artístico en Building Bridges Art Exchange, Santa Monica, California (2020), Etopia, Centro de Arte y Tecnologia, bajo el programa FUGA, Zaragoza, Spain (2019) y MASS Gallery, Austin, Texas (2017). Wood ha lanzado mas de una docena de grabaciones. Entre estas se encuentran los discos BOLKA (Independiente, 2007); Brutus (Independiente, 2010); Rattle Rattle (Atonal Industries, 2013); Down, The Dirty Roof (Atonal Industries, 2013), XALÁ (Atonal Industries, 2017), ARDOR (Independiente, 2020) y REACTOR (Independiente, 2020).
P R E S S
"Conservatories and gay bars in Los Angeles were the places where Dorian Wood began to develop his particular way of looking at music...and this, combined with the gifts of nature (a powerful voice and an innate ability to deliver intense performances), have made him an artist that is both transcendental and unclassifiable." - ROLLING STONE (Spain)
"The performer, who bends genres as much as he bends gender, in performances that are a little bit torch song and a lot avant-garde, delivers vocals that offer sublime beauty and pain." - LOS ANGELES TIMES
"A fearless artist and performer whose voice inhabits a room like a choir of ghosts...the man's work is imbued with both bleeding rawness and dramatic flair." - LA WEEKLY
"A cutting edge sound that respectfully acknowledges the folk music of his birth, Dorian is an artist who does not stop...his life is the rhythm of his creative impetus." - GQ (Mexico)
"Their music transcends and shakes you to the core." - INSTINCT MAGAZINE
"While his poetry may leave you politically unsettled, Wood is exercising his freedom to boldly share his perspective that is at times both nightmarish and delicate, elegant and disturbed, and well worth many undivided listens." - THE DELI MAGAZINE
"Dorian Wood is a force of nature, and not merely due to his magnificent presence, but because his concerts are like a meteor shower and the four elements." - MONDOSONORO (Spain)